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    <title>Still Tacky to the Touch: How to Live With a Brand-New Painting Without Ruining It</title>
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    <description>Buying a painting straight from the easel is exciting, but a fresh surface needs careful handling. Here is a practical UK collector’s guide to drying times, transport, fumes, framing and the varnish question.</description>
    <author>Robert Mee Artist</author>
    <category>Collecting Advice</category>
    <pubDate>Sun, 08 Nov 2026 12:08:58 GMT</pubDate>
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    <title>What the Label Says: Why a Clear Price List Is Part of the Art on Show</title>
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    <description>A price list is not admin, it is part of the exhibition. This opinion piece looks at how UK collectors read clear pricing, what price on application really signals, and why transparency need not mean underselling.</description>
    <author>Robert Mee Artist</author>
    <category>Studio Notes</category>
    <pubDate>Sun, 08 Nov 2026 12:08:58 GMT</pubDate>
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    <title>Show Me the Underdrawing: The Case for Seeing an Artist’s Working Mess</title>
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    <description>Sketches, underpaintings and abandoned versions can tell a collector more about a painting than the finished surface ever will. An argument for asking to see the messy bits—and for artists to share them without turning the studio into a content factory.</description>
    <author>Robert Mee Artist</author>
    <category>Studio Notes</category>
    <pubDate>Sun, 08 Nov 2026 08:08:46 GMT</pubDate>
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    <title>When the Contents Policy Says No: Insuring Art That Has Outgrown the House</title>
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    <description>Standard home contents cover is built for ordinary domestic life, not necessarily for a growing collection of original paintings and prints. Here is how to spot the limits, document what you own and ask a specialist broker the right questions before renewal.</description>
    <author>Robert Mee Artist</author>
    <category>Collecting Advice</category>
    <pubDate>Sun, 08 Nov 2026 08:08:46 GMT</pubDate>
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    <title>Alcoves, Damp and Picture Rails: Hanging Original Art in an Older British Home</title>
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    <description>A warm, room-by-room guide to living with original paintings in a Victorian terrace, from awkward alcoves and damp chimney breasts to picture rails, rented flats and strong sunlight. Practical fixes, sensible hanging heights and permission to stop worrying about the plaster.</description>
    <author>Robert Mee Artist</author>
    <category>Collecting Advice</category>
    <pubDate>Sun, 08 Nov 2026 04:09:28 GMT</pubDate>
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    <title>Cheap Frame, Dear Painting: What Budget Framing Really Costs a Collector</title>
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    <description>A candid studio view on the difference between a £40 off-the-shelf frame and proper conservation framing. It is not about snobbery; it is about what happens to an original painting when the frame, glass and mount are treated as an afterthought.</description>
    <author>Robert Mee Artist</author>
    <category>Studio Notes</category>
    <pubDate>Sun, 08 Nov 2026 04:09:28 GMT</pubDate>
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    <title>The Village Hall Test: Showing Work Beyond the M25 Without Losing Your Nerve</title>
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    <description>A one-weekend pop-up in a draughty village hall taught me more about showing art than any city fair. Here is what worked, what didn’t, and what artists and first-time buyers should ask before the tea urn goes on.</description>
    <author>Robert Mee Artist</author>
    <category>Collecting Advice</category>
    <pubDate>Sun, 08 Nov 2026 00:09:35 GMT</pubDate>
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    <title>Cloud Cover, Clean Colour: Turning Dull British Days into Luminous Paint</title>
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    <description>Overcast light is not a setback for UK landscape painters — it is a softbox with a bad reputation. Here is how I use grey November days to keep colour clean, build atmosphere, and avoid the dreaded mud.</description>
    <author>Robert Mee Artist</author>
    <category>Studio Notes</category>
    <pubDate>Sun, 08 Nov 2026 00:09:35 GMT</pubDate>
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    <title>Real Paint, Small Budget: A First-Timer’s Guide to Collecting Original Art in the UK in 2026</title>
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    <description>You do not need a London gallery or a huge budget to start collecting original art. Here is a practical UK guide to finding, questioning and caring for work under £500 during the 2026 winter buying season.</description>
    <author>Robert Mee Artist</author>
    <category>Collecting Advice</category>
    <pubDate>Sat, 07 Nov 2026 20:09:40 GMT</pubDate>
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    <title>Low Light, Long Thoughts: Starting a New Painting Series in the November Studio</title>
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    <description>November has a way of shrinking the day and widening the mind. A look inside the winter studio, where shorter light, slower routines and a clean wall make it the most useful month to begin a new body of work.</description>
    <author>Robert Mee Artist</author>
    <category>Studio Notes</category>
    <pubDate>Sat, 07 Nov 2026 20:09:40 GMT</pubDate>
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